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Malcolm Rippeth

Fellow

Malcolm’s work in theatre, dance and opera can be seen throughout the UK and worldwide.


He has been working with Emma Rice for over twenty years, on shows including: North by Northwest, A Child’s Christmas in Wales, Malory Towers, The Little Match Girl and Happier Tales, Blue Beard and Wise Children (Emma Rice Company); Brief Encounter (West End and Broadway); The Umbrellas of Cherbourg (West End); The Empress (RSC); Romantics Anonymous (Shakespeare’s Globe); The Red Shoes, The Wild Bride (Kneehigh) and Orpheus in the Underworld (English National Opera).


Other recent shows include: Krapp’s Last Tape (Royal Court Theatre); My Brilliant Friend (National Theatre); Captain Corelli’s Mandolin and Songs for Nobodies (West End); Titus Andronicus (RSC); Betty! A Sort of Musical (Manchester Royal Exchange); The Mirror Crack’d (Mumbai); 1923 Müzikali (Zorlu Center Istanbul); Klangwolke (Donaupark Linz); Future Cargo (Greek National Opera Ballet); The Becoming (balletLORENT); The Wreckers (Glyndebourne); The Marriage of Figaro (Opera North); The Turn of the Screw (Garsington); Peter Grimes (Welsh National Opera); Der Rosenkavalier (Irish National Opera); Breaking the Waves (St Gallen); Stiffelio (Opéra de Dijon); Madame Butterfly (Royal Danish Opera); Die Schöpfung (Oper Köln); Parsifal (Semperoper Dresden); and Die Walküre (Santa Fe Opera).


He has received a Village Voice OBIE and a WhatsOnStage Award and been nominated for Los Angeles Drama Critics Circle and New York Drama Desk Awards 

for his work.


Malcolm Rippeth
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